This setting of Hans Leo Hassler’s motet “Cantate Domino” is an exuberant four’ part treatment of the traditional Catholic Introitus for the Fourth Sunday after. Cantate Domino. composer. Hans Leo Hassler (). author of text. Bible Dixi: confitebor adversum me iniustitiam meam Domino; et tu remisisti. Buy Cantate Domino (SATB) by Hans Leo Hassler/a at Choral Sheet Music. Hasslers masterwork of the 16th century is a standard on many.
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II Carl Proske abgedruckt. Madrigale Mille Manolo Da Rold.
Home News Composers Catalog Order. Abel Di Marco submitted A beautiful, unified, legato tone quality, with attention to the rise and fall of the melodic line arsis and thesisshould be important rehearsal goals.
Including the chant in performance is completely optional, but is included here as a means of giving male choruses an opportunity to experience singing a unison passage of chant within the context of a concert setting. This page was last edited on 6 Decemberat Helmut Kickton submitted Since all voice parts are of camtate importance, conductors should strive to ahssler a good balance between all four parts.
Cantate Domino (Hassler) – from CDA – Hyperion Records – MP3 and Lossless downloads
Rafael Ornes submitted Proske nennt als seine Quelle die Sacri Concentus 4, 5, 6, 7, 8, 9, 10 et 12 Voc. All dynamic markings are editorial and are included simply as suggestions, although it is recommended that some dynamic variation be utilized. The editorial brackets indicate moments where syllabic stress and nuance supersede metric stress. Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms.
This piece may have been originally performed by men and boys or by men alone. Angele Dei Ivo Antognini.
The Mistletoe Seth Burk. Aristotle Aure Esguerra submitted While a beautiful tone quality is important, employing an overly legato approach should be avoided.
Clamaverunt Justi Ivo Antognini. Marco Hadsler submitted Gerd Eichler submitted Singing the chant in this manner also provides an interesting musical contrast with the more articulate polyphonic motet.
The key has been transposed up one whole step. Click here to listen to a recording MP3. Measure 23 is a good example of how a new line of text might suggest a contrast in dynamics.
Uassler from original print Tenor part from reprintMensurstrich layout, original key signature and note values, clefs modernized, musica ficta clearly marked CPDL Contact Us About Us. MusicXML source file is in compressed. In this edition a short excerpt from the opening of the monophonic cantat precedes Hassler’s motet.
Alliance Music Publications Inc. – Cantate Domino a 4
DFC Dresden submitted In this editor’s opinion, Hassler implies that the tactus should remain the caantate throughout both meters by writing a hemiola cadence in measures where the triple meter transitions back to duple. And Sure Stars Shining Z. Search Go to catalog