INTRODUCTION. There is now a high level of acceptance amongst biodeterioration biologists and technologists in the paints and biocides industries , that. Several paints of varying chemistry have been in use for domestic and industrial purposes. The painted Biodeterioration of domestic and public buildings. PDF | This paper presents a review of the biodeterioration of architectural paint films by bacteria, fungi and algae, concentrating on external films. references .

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According to the investigators, the presence of thick sheaths of these cyanobacteria not only favored their adhesion to the painted surface but provided also the substrates for the establishment of a population of heterotrophic bacteria 3. However, wide quantitative variations are evident. Firstly by discussion at the meetings, secondly by carrying out and reporting on individual laboratory investigations and, most importantly, by organising, performing and reporting on collaborative experimental work or round robin testing.

Fungal deterioration of cellulosic textiles: Makies F Enzymatic consolidation of paintings. This article has been cited by other articles in PMC. On the other hand, from a mural in Canterbury Cathedral only one fungal species, Beauveria alba Engyodontium album biodeterloration, was repeatedly isolated 26 and, similarly, on damaged frescoes in an Italian church only one species of Cladosporium was found However, it will not determine if the DNA derives from living or dead microorganisms and, more importantly, it will not allow us to distinguish between microorganisms responsible for biodeteriorration observed damage one could call them the parasites and those that do not contribute to it the saprophytes.

Thus, other art works, such as those in stone, wood, paper, and masonry, as well as those in more esoteric materials, such as leather, parchment, glass, and metal, will not be considered. Abstract Paint and painting has been practiced since ancient times. It is undeniable that this type of information is important to establish which organisms, or which types of organisms bacteria, palnts, fungi, etc.

Encyclopedia of environmental microbiology.

This in turn could promote separation of the painted surface from the ground or of the ground from the masonry on which the fresco was laid. Bacteria, especially of the genus Arthrobacterwere reported to be among the first colonizers of murals in a medieval church in Rostov, Russia 41and to be responsible for oxidation of the lead present in pigments, resulting in the production of brown-black spots of lead oxides. The microecology of mold growth.

Fungus contamination of Florence art—masterpieces before and after the disaster. Nevertheless, in a few cases attempts have been made to present a more comprehensive analysis of the different microbial groups present, to unravel the chemical modifications brought about by the microbial colonization, and to determine the succession of the microbial colonizers.


Biodegradation of Paints: a Current Status | Ravikumar | Indian Journal of Science and Technology

However, the idea that fungi may be the primary microbiological agents responsible for degradation of art works is so entrenched that often antibacterial agents biodeterioratio added routinely to the media used for the isolation of the microbial contaminants presumed responsible for the degradation of art works 22 Growth of microorganisms on paintings may cause aesthetic and structural damage.

Microbiology of paint films.

The microbial degradation of silk: Their work was greatly stimulated by the finding that, after the flooding of Florence in Pqintsa great number of paintings, both mural and easel, were severely damaged and that the damage could be at least in part associated with the growth of microorganisms. The possibility that Aureobasidium pullulans grew at the expense of the polysaccharides of the Pseudomonas capsules and the other bacterial species colonizing the panels was investigated Line M A A nitrogen-fixing consortia associated with the bacterial decay of a wooden pipeline.

Fungi involved in the deterioration of mural paintings from the monasteries of Moldavia. Similar limitations will greatly reduce the usefulness of other molecular biological techniques, such as fluorescence in situ hybridization, that permit identification of microorganisms without their isolation and culture. Bravery AF Biodeterioration of paint – a stateof- the-art review.

Orlando, Bravery AF Biodeterioration of paint – a stateof- the-art review. Ctenocladus circinnatus Chlorophyta in stuccos from archaelogical sites of southern Spain. Smith HM High performance pigments. These objectives are met in painys number of ways. From such research it will be possible to learn how to monitor and evaluate the onset and the rate of microbial colonization and the changes in the microbial population as a function of the substrate composition and environmental conditions and, eventually, how to proceed for disinfestation.

These, in turn, supplied biodeferioration organic nutrients that allowed the establishment of a community of scavenger bacteria and fungi that further contributed to the degradation of the fresco. However, as the two tested species of Cladosporium did not grow on casein, masonite, or animal glue, the investigators assumed that this genus did not contribute significantly to the degradation of paintings.

Further, Aspergillus nigerone of the most ubiquitous fungal contaminants, was isolated in only one case. That the chemical nature of the substrate conditions the capacity of microorganisms to colonize different art works was further demonstrated by the finding that silk composed of the proteins fibroin and sericin but often of fibroin only is easily colonized and degraded by bacteria especially species of Pseudomonas and Arthrobacter but that it is hardly attacked by fungi Their objectives were to study all aspects of the growth of fungi on applied surface coatings and to develop a standard method of test.


About 20 years later, Tonolo and Giacobini 59 confirmed that microorganisms could damage works of art by providing examples of frescoes disfigured by growth of eukaryotic algae members of Chlorophyceaebacteria Sarcina lutea or Streptomyces spp. However, the presence of Aspergillus niger stimulated growth and survival on mock paintings of Bacillus pumilus and the stimulatory effect of the fungus was abolished by the addition of cycloheximide, an inhibitor of protein synthesis and growth in eukaryotes but not in prokaryotes.

IARC Some organic solvents, resin monomers and related compounds, pigments and occupational exposures in paint manufacture and painting.

Death and lysis of these bacteria provided the organic substrates necessary for the growth of heterotrophic bacteria and fungi. With a few exceptions, characterization of the microbial flora present on frescoes biodeterioratiob easel paintings has been limited to selected groups of microorganisms rather than to all types of microorganisms that might be present on a given substrate.

Species of fungi isolated from frescoes. Microbiological studies on the conservation of mural paintings in tumuli. A hypogean algal association. Thus, environmental pollutants, especially sulfur dioxide and related compounds, biodeteriorattion direct damage to the fresco but also provided the substrates that promoted growth of aerobic and anaerobic sulfate-cycling bacteria.

Microbial Degradation of Paintings

The cave contained an impressive display paknts prehistoric art: This advertisement will close after 20 seconds or click here to close. These findings were confirmed in laboratory experiments in which samples of the microbial mats from the frescoes were grown under fluorescent or incandescent light at two different light intensities 5. Such variations are the result of modifications of the chemical composition of the substrate, to which the microorganisms themselves may have contributed in part.

Such differences in two frescoes painted at the same time in the same building, presumably with similar or identical materials, and restored and cleaned at the same time appear giodeterioration striking.

Tiano P, Gargani G. C R Acad Sci.


Thus, one should take into consideration how the microbial flora colonizing an art work varies according to the chemical composition of such a work. The lighting system, installed in the cave and operating almost continuously, created the conditions for a massive growth of photosynthetic organisms. Danin A and Caneva G Deterioration of limestone walls in Jerusalem and marble monuments in Rome caused by cyanobacteria and cyanophilous lichens. Thus, in general, surveys have often been limited to fungi 1810141722 — 2637475057bacteria 71832334445or cyanobacteria and eukaryotic algae 9162140 ,