Alexander Arutunian: Trumpet Concerto. Context. Born in Yerevan, Alexander Arutunian () was soon recognised as an. Acclaimed Norwegian trumpeter Tine Thing Helseth makes her Singapore debut with one of the best-loved of 20th century trumpet showpieces, Arutiunian’s.

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Alexander Arutiunian

The tone and sound of the soloist is vital within this trompetenkomzert as there are some very poignant fanfare motifs which are instructed to stand out from above the whole orchestra.

Retrieved 6 July After deciding that a career as a composer was right for him, Arutunian joined the U.

Roll Up Roll Up! The concerto was trompetenkonzet inand was written for Ukrainian virtuoso trumpeter, Timofei Alexandrovich Dokschitzer. A Tranquil Duo Joan Trimble: Their marriage produced two children, a daughter, Narine bornwho is a pianist and lawyer; and a son, Suren bornwho is an artist-designer.

A. Arutjunjan – Trumpet Concerto – video dailymotion

Arutunian’s engaging and idiomatic trumpet concerto was “quickly assimilated into the standard trumpet repertoire worldwide, earning highest international praise from audiences, critics and performers”. The soloist sings above the strings and some faster-passage work leads to a wonderful ascending sequence into the upper-range of the instrument. After this introduction a 10 bar transition section which is played by the orchestra, that leads into the next section which is much more upbeat.

Born in Yerevan, Alexander Arutunian was soon recognised as an accomplished pianist and composer, and subsequently, he studied at the Conservatory of Yerevan. At the time the concerto was written, his compositional style was aruutjunjan to Khachaturian’s. The work lasts for around 16 minutes and it is one single movement, which qrutjunjan be dissected into seven different sub-sections without a break.


This page was last edited on 28 Decemberat The soloist finishes this section with a climactic chromatic run in the upper register and then the orchestra takes over until the next section begins to emerge. We are now at the slowest section of the concerto, with it starting with the strings playing a syncopated pulsating theme. This is then taken and used for the rest of this section.

The melodies are long and beautiful, trompetenmonzert shows us a whole new side to the trumpet as a more delicate instrument. This piece is fizzing with interesting harmonies, timbres, melodies and textures which all come together to create a truly powerful trumpet concerto.


It highlights and accentuates the fundamentals of brass playing — range, stamina, technical prowess, and tone. By using this site, you agree to the Terms of Use and Privacy Policy. However, this did not hinder the composer in any way, which can be seen and heard in his most popular work — Trumpet Concerto in Ab Major.

Views Read Edit View history. Retrieved from ” https: From Wikipedia, the free encyclopedia. It takes all the earlier themes and creates an imaginative, exciting and technically demanding coda xrutjunjan shows off the soloist to the max.


With some works being fairly popular in the Soviet-Armenian sphere, Arutunian trompetenkonzery more often than not overshadowed by fellow composer, Aram Khachaturian. The use of triplets and semiquaver runs creates an interesting play with the tonic key of Ab major and the quaver motif. Arutiunian in in Yerevan. She, from a young age, learnt to play the piano, read music and then compose her own music. InArutiunian married Irina Tamara Odenova. He visited the US in concert and performed the concerto there, although Roger Voisin is credited with the US premiere of the concerto, performing it with the Boston Pops Orchestra in Image Source Recommended Recordings: As a composer, he expressed his nationality by incorporating the flavor of ashughner folk minstrel improvisations.

Leave a Reply Cancel reply. The premiere took place in Yerevan in This section is ended by the orchestra, who then lead into a faster part of the work. arutjinjan

Musical Individualism Joan Tower: The concerto’s introduction to the United States is solely due to Dokschitzer, a leading Soviet Russian trumpeter. The beginning of the work starts with a strong tremolo from the lower strings, with the soloist entering in the second bar with a quaver-movement motif, which is then used as a call and response cell of music within the ensemble.